soil, grass seed, grow light, steel, foam, plaster, video projection
The works are subtly interactive, shifting as one’s perspective changes, altering its appearance with each glance. The installations expose the limits and imperfections of both realities, questioning our tendency to glorify and idealize our conceptions of the new and old.
Bracken examines the tenuous relationship between the physical and digital worlds through a number of installations that use water, stone and soil interwoven with video projections, digital sound and a live video feed. Bracken blurs the lines between these two realms. Danny Bracken’s creative practice explores interactions between video, sound, and physical space, ranging from immersive, multi-sensory installations to small-scale sculptures. Born into a family of musicians, sound occupies a central role in his work; finding a place in film scores, installations, and stand-alone recordings. At the heart of these investigations lies an interest in the relationship between humans, the natural world, and technology. Throughout the work he explores the ways in which technology has shifted how we perceive and experience the people and places that surround us. Bracken’s music further extends this dialogue, examining the tenuous balance between digital possibility and human impression, creating in a context that is constantly shifting between analog and digital realms.