His work resides in collections at the Arts Council Collection, London; Casa Museo Boschi di Stefano, Milan, Italy; National Gallery of Modern Art, Belfast; Modern Art Museum, Caracas, Venezuela; Newark Museum, Newark, NY; Tate Collection, London; Museum of Modern Art, New York; and the Walker Art Centre, Minneapolis, MN.
John Latham was a pioneer of British conceptual art, who, through painting, sculpture, performances, assemblages, films, installation and extensive writings, fuelled controversy and continues to inspire. His emphasis on process in action and language, and his theories which have focused on time and event over the object, have provided models for a generation of younger artists. A visionary in mapping systems of knowledge, whether scientific or religious, he developed his own philosophy of time, known as ‘Event Structure.’ In this doctrine he proposed that the most basic component of reality is not the particle, as implied by physics, but the ‘least event,’ or the shortest departure from the state of nothing. The entire universe is to be viewed as a system of events in time, rather than objects in space. Thus, for Latham all artworks were considered events and were activated as such through diverse processes ranging from spraying, chewing, shredding or spitting to simply declaring.