Outdoors, in front of a deliberately preserved patch of weeds, sits a sod-covered mound in which the artist has buried a rusted video transformer and other evidence of industrial waste. Beyond, he has formed a wide earth couch upholstered with close-cut grass.
Tall, narrow sets of parallel walls face each other. From the mouth of one opening pours a static flow of coal. Lush Kentucky bluegrass flows out of the other. Through doors into a second room, chunks of slag are scattered on the floor. Together, the elements in the two spaces form a circular pattern.