wood, plaster, paper, tape, string, rubber, found objects, mixed paints
27 Correspondents, visitors experience the space by carefully slipping through a room populated by floor-to-ceiling sculptures. Lukas’ work addresses concepts of pressure, opposing forces, gravity, relationships, shape, texture, scale, architectural elements, and positive versus negative space. Plotting a course through the installation, viewers encounter thin wooden planks wedged between the floor and the ceiling. Lukas includes objects at the top and bottom of each individual piece that relate one to another, such as a flower pressing found on the floor, with the actual dried flower affixed to paper above. Additionally, Lukas includes a negative plaster cast of a volleyball placed on the floor, with a photograph of the girls’ volleyball team Lukas coaches wedged between the ceiling and the wooden support. Although each individual sculpture may be viewed as independent from the other 26, visitors may also experience each sculpture as a segment in a continuing timeline or an implied narrative—each component affecting the other. The installation provides multiple navigation paths, shifting the viewer’s attention from ceiling to floor, as well as laterally. The work addresses proxemic relationships through space, as well as through narrative time.
In Emil Lukas’s installation, Emil Lukas was born in Pittsburgh, PA and received his BFA from Edinboro University. He held his first solo exhibition in 1985 and has hosted a solo exhibition every year since. He has exhibited throughout the United States and abroad.