This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
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Amanda Ross-Ho’s work takes the form of sculptural installations and material environments that propose dynamic and imagined ecologies of labor, time and the building of speculative archives. Through close observation, she identifies and brings into form connective tissues between personal and eternal conditions. She builds formal syntax comprised of objects, images, and performative gestures mined from personal and collective phenomena, which aim to inscribe meaning through poetic systems of circuitry and taxonomy. Utilizing conflicting sensibilities of the forensic, hyperbolic, and theatrical, her work aims to function as a sensitive instrument: tuned to carefully observe, record, transcribe and translate the landscapes of our made and lived in surroundings.
This exhibition is made possible by Teiger Foundation.
WHEN
Upcoming
August 8, 2026
Amanda Ross-Ho was born in Chicago in 1975. She currently lives and works in Los Angeles. Ross-Ho has exhibited widely in museums and galleries worldwide, including solo exhibitions at Kunsthall Stavanger, Stavanger, Norway (2019) Bonner Kunstverein, Bonn (2017); Vleeshal, Middleburg (2016); Praz-Delavallade, Paris (2015); The Museum of Contemporary Art, Cleveland (2014); and the Museum of Contemporary Art, Los Angeles (2012). Her work has been included in group exhibitions at The Walker Art Center, Minneapolis (2016), Orange County Museum of Art, Newport Beach (2011); Henry Art Gallery, Seattle (2010); the Museum of Modern Art, New York (2010); the Whitney Biennial, New York (2008); among many other institutions.
