This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
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Robin Stanaway moves from being a glass artist to an artist exploring the effects achieved by glass lenses in this case some hundreds of spectacles donated for the purposes of this exhibition. Light passes through them to some effect, but looking through the arranged ranks of lenses also alters the viewers’ perceptions. Such discarded spectacles also evoke imprinted memories of past owners.
When
Gestures 4: March 2, 2003 - April 6, 2003
Where
1414 Monterey, 3rd Floor
Robin Stanaway received her MFA in Glass Sculpture from Ohio State University and a BFA in Photography, Film, and Intermedia from Minneapolis College of Art and Design. Her installations in glass, light, space (and sometimes sound) have been exhibited at the P.S.1 Museum and Contemporary Art Center, New York City; the NIME Conference in Paris, France; Steim in Amsterdam; Philadelphia Museum of Art; Steuben Gallery, New York; Tucson Museum of Art and Queens Museum of Art.
