This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
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The lure of quilted fabrics, the child's bed, and the imagery of the nursery are efficiently subverted by the graphic agenda of the artist, who introduces the imagery of violence, urban disquiet, the four-letter word, and sexual dissidence with all the force of street graffiti. But the care and deliberateness of quilting, the diligent stitching, the piecing together, and, above all, the time-consuming aspect of this work. Curated by Graham Shearing