This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
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Curated by Tavia La Follette
Artist Statement
Imaginings, beliefs, and aspirations depart to individual realms. The camera holds, camels bend, grass falls, and insects crawl — a glimpse of our collective Egypt.
Gravity, hunger, and need unite at this solitary hole.
Nomad, cultivator (and tourist) dwell on this immutable clod.
Cradles quake, civilizations submit, and revolutions orbit this steady sand.
When
2011
Andrew Ellis Johnson's exhibition topics have ranged from the apocalypse to animal nature and disasters of war to the culture of class. Venues for his work have included museums, galleries, electronic arts and video festivals, public collaborations, conferences, books and journals in North and South America, Europe, Asia and the Middle East. He is co-founder of the socially engaged collective, PED, that has performed in Buffalo, Belfast, Chongqing, Rio de Janeiro, St. John's and Tonawanda. Johnson received his BFA from the School of the Art Institute of Chicago and his MFA from Carnegie Mellon University where he is Associate Professor of Art.
