This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
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The welcoming of Spring was known in Babylon and northern Europe with ritual dance in honor of fertility goddesses. The German tradition of the Easter Bunny, a model of fertility and renewal of life, was introduced to Pennsylvania in the 18th century. Here it is further transformed by the programmatic intervention of the contemporary videographer.
