This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
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An industrial designer by profession, Radney explores further the implications of a project he originally conceived some time ago in the East End of Pittsburgh (Highland Park, East Liberty, and Shadyside), graphically outlining the strengths and weaknesses of those demographically mixed communities.
