This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Fusce at elit quis felis ullamcorper vehicula non in est. Maecenas finibus pharetra justo et faucibus. Nulla eu tortor vel ex volutpat efficitur. Vivamus placerat turpis in aliquet venenatis. Quisque ac lacinia mauris. Nam quis lobortis elit. Vestibulum sagittis nisi sit amet euismod hendrerit. Mauris non sodales odio. Donec efficitur molestie quam, sed lobortis massa vestibulum ut.
Nunc at arcu sodales nisi porta euismod non vel neque. Phasellus at lobortis ante, in suscipit justo. Proin non purus vitae nisi molestie consectetur. Vestibulum volutpat lobortis interdum. Vestibulum pretium ligula lorem, egestas ultricies lectus ultricies ac. Curabitur venenatis vulputate dolor.
>>>>HOST_CAVITY<<<< is a video water fountain. Five video signals flow through the salt water and vinyl tubing into the basin, where they mix and flow through the televisions. The sculpture amplifies a comparison of electrical and liquid current, accentuating the physicality of signal and electricity. The videos themselves are currents of distorted collages that work with and against the phasing created by the TVs.
When
2009
Ian Page works in sculpture and video. He is interested in the physicality of electricity, signal, and transmission. In his work, he pursues sculptural methods of transmission, conductance, impedance, distortion, and erasure. He is based in Pittsburgh.
