Currently Closed
Marvin Touré
the blood is the water.
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Catalina Schliebener Muñoz
Deep, Deep Woods
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Isla Hansen
How to Get to Make Believe
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Andrea Peña
States of Transmutation
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Asim Waqif
Assume the Risk
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After School

Teen Art Cooperative
Our Mission

The Mattress Factory is an artist-centered museum, international residency program and renowned producer and presenter of installation art. We say “yes” to artists, offering time and space to dream and realize projects in our hometown, Pittsburgh, PA. We invite audiences from around the world and around the corner to step inside, immerse and connect with the artistic process.

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John Latham

Long Painting

This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.

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A continuous rolled canvas passes through walls, as it travels into different rooms.

Artist Statement

The new thing, the (T) concept and Event structure, is not like authenticated versions of art--it is exactly about the world one sees and touches but it is not figurative. So it foxes the Fox. (T) is a geometry of sources of actions, maths--intelligible and exact, but it contradicts the corner-speak of science. When you realize that the two super-theories of physics each carry a demonstrated flaw, and that (T) may sort these flaws out, you are okay to take the (T) claim seriously. It might even start at the beginning to sort out what has just about done for this planet. For one thing, in (T) the Universe shows up as a person. Half the world knows it but can’t say how so.



About The Artist

John Latham was a pioneer of British conceptual art, who, through painting, sculpture, performances, assemblages, films, installation and extensive writings, fueled controversy and continues to inspire. His emphasis on process in action and language, and his theories which have focused on time and event over the object, have provided models for a generation of younger artists. A visionary in mapping systems of knowledge, whether scientific or religious, he developed his own philosophy of time, known as ‘Event Structure.’ In this doctrine he proposed that the most basic component of reality is not the particle, as implied by physics, but the ‘least event,’ or the shortest departure from the state of nothing. The entire universe is to be viewed as a system of events in time, rather than objects in space. Thus, for Latham all artworks were considered events and were activated as such through diverse processes ranging from spraying, chewing, shredding or spitting to simply declaring.

His work resides in collections at the Arts Council Collection, London; Casa Museo Boschi di Stefano, Milan, Italy; National Gallery of Modern Art, Belfast; Modern Art Museum, Caracas, Venezuela; Newark Museum, Newark, NY; Tate Collection, London; Museum of Modern Art, New York; and the Walker Art Centre, Minneapolis, MN.

A continuous rolled canvas passes through walls, as it travels into different rooms.


Give artists the time, space and resources to create remarkable works of art that help us see our world in new ways.

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