This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
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Two guides doubling as "measurers" led the audience outdoors to see a drawing projected on a building, an overall-clad violinist poised to place, dancers jogging in white, Pellegrino singing lustily, a lecturer on the female reproductive system scrambling her message, a silent film sown in a parking lot. The guides grimly measured humans, trash cans, fences, everything, as they moved onlookers from one area to another.
When
1983
Stephen Pellegrino is an accordion player, artist and storyteller. For the last 35 years Stephen Pellegrino has been composing music for dance and theatre. Since the early 80’s he has been creating an ongoing, multi-sectional, interdisciplinary music/theatre opera series called DRYWALL. He has been the recipient of numerous grants and commissions.
