This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
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Elements of pop music album covers are taken and reworked to a high level of abstraction in Kellstadt's wall prints. The videos similarly abstract guitar solos from the same musical sources. The roots and potential of abstraction are thus unusually tested. Curated by Graham Shearing
When
2006
Where
1414 Monterey, 2nd Floor
Thad Kellstadt received his BFA from The Art Institute of Pittsburgh. He has exhibited throughout the United States, London and Brussels.
