This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Fusce at elit quis felis ullamcorper vehicula non in est. Maecenas finibus pharetra justo et faucibus. Nulla eu tortor vel ex volutpat efficitur. Vivamus placerat turpis in aliquet venenatis. Quisque ac lacinia mauris. Nam quis lobortis elit. Vestibulum sagittis nisi sit amet euismod hendrerit. Mauris non sodales odio. Donec efficitur molestie quam, sed lobortis massa vestibulum ut.
Nunc at arcu sodales nisi porta euismod non vel neque. Phasellus at lobortis ante, in suscipit justo. Proin non purus vitae nisi molestie consectetur. Vestibulum volutpat lobortis interdum. Vestibulum pretium ligula lorem, egestas ultricies lectus ultricies ac. Curabitur venenatis vulputate dolor.
Expressionless, he busily arranged and rearranged unrelated objects on a small table in front of him. He concentrated on a miniature television set that was really a pencil sharpener, a tin fish which he wound up with a key and set down to move in circles. Fingers constantly moving, he reached into bags for more articles, consulted a written plan, and pulled gadgets from a suitcase.
When
1983
Stewart Sherman was an artist, performer, filmmaker, and writer. Sherman was well-known for his Spectacle series of performance art pieces. Sherman created a large amount of short films and videos that were screened at the New York Film Festival, the Anthology Film Archives, and the Berlin Film Festival. Exhibitions of his performance sets and sculptural objects were shown at the List Visual Arts Center at the Massachusetts Institute of Technology. He received numerous awards for his work, including a Guggenheim Fellowship, a Village Voice Obie, and grants from the National Endowment for the Arts. Sherman died of an AIDS-related illness in 2001 in San Francisco, California.
