This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Fusce at elit quis felis ullamcorper vehicula non in est. Maecenas finibus pharetra justo et faucibus. Nulla eu tortor vel ex volutpat efficitur. Vivamus placerat turpis in aliquet venenatis. Quisque ac lacinia mauris. Nam quis lobortis elit. Vestibulum sagittis nisi sit amet euismod hendrerit. Mauris non sodales odio. Donec efficitur molestie quam, sed lobortis massa vestibulum ut.
Nunc at arcu sodales nisi porta euismod non vel neque. Phasellus at lobortis ante, in suscipit justo. Proin non purus vitae nisi molestie consectetur. Vestibulum volutpat lobortis interdum. Vestibulum pretium ligula lorem, egestas ultricies lectus ultricies ac. Curabitur venenatis vulputate dolor.
Sculptor Paul Bowden's reflections on the spider (male and female), coexisting on the precarious web, takes on a wider significance. Ominously suspended over a narrow corridor, the web and its occupants suggest unease and dis-ease, an ecological imbalance; perhaps, even, a world gone wrong.
When
Gestures 1: October 27, 2001 - December 8, 2001
Where
1414 Monterey, 2nd Floor
Paul Bowden studied fine arts at the Pennsylvania Academy of Fine Arts in Philadelphia and the Tyler School of Art in Rome, Italy. Bowden worked in Rome on his own and as a sculpture apprentice. He returned to Pittsburgh, PA in 1991. He lives and works in Polish Hill.
