This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
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Pamela Bryan is a photographer best known for her images of the disappearing industrial landscape of Western Pennsylvania. Traveling the country following a rock band, she has documented with furtive snapshots the energetic activity of a single rock star. Edited and enlarged they present a grainy vocabulary of gesture.
When
Gestures 4: March 2, 2003 - April 6, 2003
Where
1414 Monterey, 1st Floor
Pamela Bryan received her Associate of Applied Arts Degree from Briarcliff College in New York. Her parents loved 18th-century French art and would take her to galleries and museums, she attests that this gave her an introduction into the world of art and visual ideas.
