This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Fusce at elit quis felis ullamcorper vehicula non in est. Maecenas finibus pharetra justo et faucibus. Nulla eu tortor vel ex volutpat efficitur. Vivamus placerat turpis in aliquet venenatis. Quisque ac lacinia mauris. Nam quis lobortis elit. Vestibulum sagittis nisi sit amet euismod hendrerit. Mauris non sodales odio. Donec efficitur molestie quam, sed lobortis massa vestibulum ut.
Nunc at arcu sodales nisi porta euismod non vel neque. Phasellus at lobortis ante, in suscipit justo. Proin non purus vitae nisi molestie consectetur. Vestibulum volutpat lobortis interdum. Vestibulum pretium ligula lorem, egestas ultricies lectus ultricies ac. Curabitur venenatis vulputate dolor.
Karen Page is an educator and a fiber artist. A video shows her hands gradually teasing out the wool she uses in creating the felt artworks for which she is known. The room becomes an environment with felted material she has made.
When
Gestures 2: January 8, 2002 - February 28, 2002
Where
1414 Monterey, 2nd Floor
Karen Page received her BFA from Syracuse University and her MFA from Kent State University. She has exhibited throughout the US and internationally, including Denmark, Japan, Finland, and Canada. She is an Adjunct Professor at the Art Institute of Pittsburgh and is a member of the Fiberarts Guild of Pittsburgh and Associated Artists of Pittsburgh. Karen participated in the Artist-in-Residency program through the Pennsylvania Council on the Arts. She also participated in the 1st International Felt-making Symposium in Denmark and has spent four summers as a "handicrafts" volunteer teaching felt-making to various women's co-ops in Kyrgyzstan, and attending a class with a master felt-maker in Turkey.