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Mohammed Musallam

The Great Illusion

This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Fusce at elit quis felis ullamcorper vehicula non in est. Maecenas finibus pharetra justo et faucibus. Nulla eu tortor vel ex volutpat efficitur. Vivamus placerat turpis in aliquet venenatis. Quisque ac lacinia mauris. Nam quis lobortis elit. Vestibulum sagittis nisi sit amet euismod hendrerit. Mauris non sodales odio. Donec efficitur molestie quam, sed lobortis massa vestibulum ut.

Nunc at arcu sodales nisi porta euismod non vel neque. Phasellus at lobortis ante, in suscipit justo. Proin non purus vitae nisi molestie consectetur. Vestibulum volutpat lobortis interdum. Vestibulum pretium ligula lorem, egestas ultricies lectus ultricies ac. Curabitur venenatis vulputate dolor.

The last page of the Palestinian passport reads "this passport is of great value," a phrase which has inspired the artist. The artist carries a Palestinian passport which is also carried by millions of Palestinians living in the West Bank and Gaza Strip as a result of the Oslo Peace Treaty signed in 1993.

From his personal experience, the artist expresses the torment he and all Palestinians in Gaza are suffering from. The artist deals with the symbolist nature of his Palestinian passport to remind the world of the Palestinian people who are under siege and are still under occupation and calls upon the right of his people of an independent state that gives them the basic human rights of free mobility.

The artist used hundreds of real and used passports in his installation to pass on a message about him being prevented from free mobility, despite what a passport is supposed to provide, by connecting scattered passport pages, free from any travel stamps, on a barbed wire.

The artist connects the scattered elements of the installation by a cover made of an olive leaf, a symbol of Palestinian life since ancient times when passports were not needed for travel in the past.

The artist uses simple materials taken from his environment to express personal pain and humanitarian issues in an intense and concise manner.

Special thanks to Joe Slickovich and Bell-Carter Foods, Inc. for their time and donation of materials to this work.

When

2016

About The Artist

Mohammed Musallam holds an MA in Painting from Helwan University, Cairo. He currently resides in Gaza and is a lecturer at the College of Arts, Al Aqsa University. His work includes installation, video, and photography focused on the "preservation of our humaneness amid the harshness of our environment." His work has been exhibited throughout the Middle East and Europe, as well as in the United States. His most recent work, Fragile Geography, was exhibited in Greece and France.

The last page of the Palestinian passport reads "this passport is of great value," a phrase which has inspired the artist. The artist carries a Palestinian passport which is also carried by millions of Palestinians living in the West Bank and Gaza Strip as a result of the Oslo Peace Treaty signed in 1993.

From his personal experience, the artist expresses the torment he and all Palestinians in Gaza are suffering from. The artist deals with the symbolist nature of his Palestinian passport to remind the world of the Palestinian people who are under siege and are still under occupation and calls upon the right of his people of an independent state that gives them the basic human rights of free mobility.

The artist used hundreds of real and used passports in his installation to pass on a message about him being prevented from free mobility, despite what a passport is supposed to provide, by connecting scattered passport pages, free from any travel stamps, on a barbed wire.

The artist connects the scattered elements of the installation by a cover made of an olive leaf, a symbol of Palestinian life since ancient times when passports were not needed for travel in the past.

The artist uses simple materials taken from his environment to express personal pain and humanitarian issues in an intense and concise manner.

Special thanks to Joe Slickovich and Bell-Carter Foods, Inc. for their time and donation of materials to this work.

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