This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
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Hilary Masters, a writer by profession, has provided a short story in which the sense of particular place (the site-specific) is brought together with more abstract places or sites, such as memory or the ‘region of regret.’ It is just short enough to be read in the gallery but is intended to be carried home by the visitor.
When
Gestures 3: December 21, 2002 - January 26, 2003
Where
1414 Monterey, 3rd Floor
Hilary Masters was a writer by trade and wrote several books that worked around his main theme of abandonment. He taught for the Department of Literature at Carnegie Mellon University.