This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
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The surface of the wall in Osher's piece is laboriously worked with text, and bears traces of earlier expression. Words have greater significance in the artist's work than before, but the search for a powerful image (a plant with extraordinary powers) is explored in purely visual terms too, and in different ways. Curated by Graham Shearing
When
2006
Where
1414 Monterey, 3rd Floor
James Osher attended Carnegie Mellon University, the San Francisco Art Institute, and Cooper Union. Studying with John Baldessari and Alan Kaprow, Osher received his MFA from the California Institute of the Arts, Valencia. Osher's career evolved from painting to conceptually focused work, creating large-scale urban environmental sculptures.
