This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Fusce at elit quis felis ullamcorper vehicula non in est. Maecenas finibus pharetra justo et faucibus. Nulla eu tortor vel ex volutpat efficitur. Vivamus placerat turpis in aliquet venenatis. Quisque ac lacinia mauris. Nam quis lobortis elit. Vestibulum sagittis nisi sit amet euismod hendrerit. Mauris non sodales odio. Donec efficitur molestie quam, sed lobortis massa vestibulum ut.
Nunc at arcu sodales nisi porta euismod non vel neque. Phasellus at lobortis ante, in suscipit justo. Proin non purus vitae nisi molestie consectetur. Vestibulum volutpat lobortis interdum. Vestibulum pretium ligula lorem, egestas ultricies lectus ultricies ac. Curabitur venenatis vulputate dolor.
Kevin O’Toole is a sculptor. The light streaming into the third floor room in the gallery provided the axes for this wall drawing. As a sculptor he seldom works from preliminary drawing (although he has done so in the past), but this is the first time he has worked directly onto the surface of a wall. The multilayered treatment (silver leaf, dry pigment, size and under-taping) edges toward a low relief sculpture.
When
Gestures 3: December 21, 2002 - January 26, 2003
Where
1414 Monterey, 3rd Floor
Born in St. Louis, Missouri, Kevin O'Toole graduated with a MFA from The Pennsylvania State University, and a BFA from Cornell University after studying at the Tyler School of Art in Rome. Kevin's works have been exhibited widely and can be found in public and private collections around the country.
