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Carolyn Wenning

Ecclesiastes 12:6-12:7

2006

This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.

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The 'silver cord,' which appears in the religious text referenced in the title of this work, is seen as a metaphor for the human body, (often the connective material of the spine). Here the imagery is grounded in a more robust physicality.

Curated by Graham Shearing

Exhibition

Gestures 9: November 11, 2006 – January 7, 2007
About The Artist

Carolyn Wenning obtained her BFA from Carnegie Mellon University and received her PA Teaching Certification from Carlow University. She also attended Indiana University of Pennsylvania for her MFA in Painting and Print Media. She is currently an Adjunct Professor at Carlow University and Chatham University.

More from this Artist

More from this Exhibition

Masala Dabba

Shades

Walk-By Shooting

Raising Trees

My Brother's Elephant

harvest(color) or Remedy for Winter Listlessness

Lloyd and Lela’s Gallery

Persistence

Old Spice

Countdown

The Plant

Reliquary for a Dictionary

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