This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
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The therapeutic effect of exposure to the late harvest sun is evoked in this meditative circle of yellow pigment (the ingredients are almost alchemical) and is enhanced by the recorded sound of summer crickets.
Curated by Graham Shearing
Exhibition
Kate Temple received a BFA in Printmaking from Carnegie Mellon University and completed a four-year training in color, based on the work of Goethe and Liane Collot d’Herbois in 2003. Her work has been exhibited nationally and internationally and she is represented in both corporate and private collections. Kate has won numerous awards for her work including an Individual Artist Fellowship from the New York Foundation for the Arts and a recent award from Eco Arts for her installation projects in the spring of 2013. She teaches for Artist Space and lives and works in Manhattan.
