This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
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Wall-to-Wall Studios take the outward form of Islamic religious observance (ritual ablution and the prayer mat), now colored by immediate emotional overtones, and juxtapose with it a series of variations on the outward form of the American flag, provoking complex ambiguities of response.
