This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
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Squatter Sovereignty: Origami Fireworks are made from a series of key texts that first introduced the concept of ‘Popular Sovereignty’ in the U.S., later derided by Abraham Lincoln as ‘Squatter Sovereignty.’ These works are cited intermittently throughout the exhibition and can be picked up and played with or taken home by the viewer. As impotent remnants of celebration, echoing fireworks on the 4th of July, each firework is a small unfolding contradiction between the celebration of Empire and the struggle for deep Democracy in the ‘will of the people’. In employing varied material in this project under the term ‘Squatter Sovereignty’ Loughran alludes to the potential for these spaces and for ‘squatting’ to take place in multiple spaces at multiple moments. In questioning what is the relationship between them the viewer is invited to consider both the contrasts and parallels between such sites and their potential in becoming.
Curated by Georgina Jackson
