This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
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Stephen Bram works with materials and objects in relation to points in space. Perspective, usually used to render space on a flat surface, produces -- in this work a 10' 8" x 14' 5" x 39' 8" installation -- a habitable space.
Exhibition
Over the last 30 years, Australian artist Stephen Bram has created abstract and conceptual works that function in relation to points in space. These include paintings, models, built constructions and commissions both with architects and by public institutions, including the National Gallery of Victoria, Melbourne, and the Adelaide Biennial of Australian Art. He holds advanced degrees from the Victorian College of the Arts and Royal Melbourne Institute of Technology. Well-known in Australia, this is Bram's first exhibition in the United States.
