With zen-like concision, the artist outlines the fastidious process of his art and introduces hints of autobiography.
This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
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Harry Schwalb is the Dean of Pittsburgh Art Critics and an accomplished draftsman. In this, his first 'installation', he creates a highly stylized version of the tiny space in his apartment where he executes his drawing. With zen-like concision, he outlines the fastidious process of his art and introduces hints of autobiography.
