This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Fusce at elit quis felis ullamcorper vehicula non in est. Maecenas finibus pharetra justo et faucibus. Nulla eu tortor vel ex volutpat efficitur. Vivamus placerat turpis in aliquet venenatis. Quisque ac lacinia mauris. Nam quis lobortis elit. Vestibulum sagittis nisi sit amet euismod hendrerit. Mauris non sodales odio. Donec efficitur molestie quam, sed lobortis massa vestibulum ut.
Nunc at arcu sodales nisi porta euismod non vel neque. Phasellus at lobortis ante, in suscipit justo. Proin non purus vitae nisi molestie consectetur. Vestibulum volutpat lobortis interdum. Vestibulum pretium ligula lorem, egestas ultricies lectus ultricies ac. Curabitur venenatis vulputate dolor.
An open box is the only object in the gallery. The aluminum cube, whose grey surface has been sandblasted and oiled, was inserted into the floor with calculated precision. The inside of the box is two inches deeper than the floor on which it appears to sit.
Artist Statement
This box is two inches deeper on the inside than it is on the outside. To install the piece a square hole is cut out of the floor. The bottom two inches of the box sit in the unseen hole. The dimensional distortion is very quiet.
When
1989
Charles Ray was born in Chicago in 1953. He obtained his BFA from the University of Iowa and his MFA from Rutgers University, Mason Gross School of Art.