This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
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Lolo y Lauti is a duo of contemporary Argentine artists who have been working together since 2011. Their work includes video, performance, sculpture, installations and photography presented in formats ranging from exhibition to opera, through social networks and virtual reality. They claim humor as an autonomous experience and a tool to address topics such as sexuality, drugs, death and fine arts. They have shown their work in museums, galleries and festivals in Germany, Austria, Belgium, Chile, Colombia, Spain, United States, Greece, Italy, Mexico, Panama, Peru, United Kingdom and Uruguay.
They held residencies at Villa Lena and SEA in Greece, and at ISCP in New York, among others. They recently obtained the 2022 Buenos Aires Art Week Award and the 2023 Amigos del Bellas Artes + ArtHaus Performing Arts Prize, as well as the Williams Foundation and Argentine Mozarteum Research Scholarship at the Cité Internationale des Arts in Paris. They also have a career as curators, having organized PERFUCH (Argentina’s first performance arts festival) in all its editions, as well as curating many individual and group shows in Buenos Aires.
Lolo y Lauti (Buenos Aires, 1980 y 1986) es un dúo de artistas que trabajan juntos desde el 2011. Su obra incluye performance, video, escultura, instalaciones y fotografía presentadas en formatos que van desde la exhibición a la ópera, pasando por las redes sociales y la realidad virtual. Lolo y Lauti reivindican el humor como experiencia autónoma y herramienta para abordar temas como la sexualidad, las drogas, la muerte y el arte. Su iconografía proviene del mundo del entretenimiento de internet y la televisión, pero también de las revistas y los parques de diversiones. Personajes de ficción, como Mafalda y divas de la TV como Moria Casán se encuentran bajo el mismo spotlight en un remix lisérgico plagado de reminiscencias teatrales.
Así como incluyen elementos de los mass media en el arte, piensan el arte con estrategias de los mass media. No ponderan ni denostan sus referencias, sino que las hipertrofian hasta el punto en que se funden la crítica y el fanatismo. La principal operación del dúo es la apropiación, una estrategia compartida por el arte contemporáneo y el espectáculo argentino, que funciona, muchas veces, como apropiador del espectáculo internacional. Y así como Susana Gimenez se apropia de Broadway, Lolo y Lauti se apropian de Susana, en un señalamiento en clave queer del libre juego de los símbolos de la cultura popular.
WHEN
Upcoming
March 6, 2026
Where
500 Sampsonia
Lolo y Lauti is a duo of contemporary Argentine artists who have been working together since 2011. Their work includes video, performance, sculpture, installations and photography presented in formats ranging from exhibition to opera, through social networks and virtual reality. They claim humor as an autonomous experience and a tool to address topics such as sexuality, drugs, death and fine arts. They have shown their work in museums, galleries and festivals in Germany, Austria, Belgium, Chile, Colombia, Spain, United States, Greece, Italy, Mexico, Panama, Peru, United Kingdom and Uruguay. They held residencies at Villa Lena and SEA in Greece, and at ISCP in New York, among others. They recently obtained the 2022 Buenos Aires Art Week Award and the 2023 Amigos del Bellas Artes + ArtHaus Performing Arts Prize, as well as the Williams Foundation and Argentine Mozarteum Research Scholarship at the Cité Internationale des Arts in Paris. They also have a career as curators, having organized PERFUCH (Argentina’s first performance arts festival) in all its editions, as well as curating many individual and group shows in Buenos Aires.
