This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Fusce at elit quis felis ullamcorper vehicula non in est. Maecenas finibus pharetra justo et faucibus. Nulla eu tortor vel ex volutpat efficitur. Vivamus placerat turpis in aliquet venenatis. Quisque ac lacinia mauris. Nam quis lobortis elit. Vestibulum sagittis nisi sit amet euismod hendrerit. Mauris non sodales odio. Donec efficitur molestie quam, sed lobortis massa vestibulum ut.
Nunc at arcu sodales nisi porta euismod non vel neque. Phasellus at lobortis ante, in suscipit justo. Proin non purus vitae nisi molestie consectetur. Vestibulum volutpat lobortis interdum. Vestibulum pretium ligula lorem, egestas ultricies lectus ultricies ac. Curabitur venenatis vulputate dolor.
The sculptural practice of Jason Peters combines the politics of the readymade with an intuitive process that takes the inherent character of the materials he employs to guide his construction strategies. Using ingenuity and superior craftsmanship, Peters succeeds in achieving his stated goal of "creating moments in time that cause people to contemplate or reconsider their values or ideas of time, space, and objects." Peters has stated, “Philosophically, all objects are ‘becoming’ in a continuous process of birth and death, because nothing is permanent.”
When
Factory Installed: April 4, 2006 - September 19, 2006
Where
1414 Monterey, 1st Floor
Jason Peters received his BFA from the Maryland Institute College of Art in 1999. He has exhibited his work throughout the United States including Waterways in Venice, Italy; DUMBO Art Under the Bridge Festival, Brooklyn; Museum of Visionary Art, Baltimore; and Center for Contemporary Art in Santa Fe. He creates sculptural installations out of found objects and discarded materials, such as old tires and plastic buckets, using them as modular components of his sculptures.
