This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Fusce at elit quis felis ullamcorper vehicula non in est. Maecenas finibus pharetra justo et faucibus. Nulla eu tortor vel ex volutpat efficitur. Vivamus placerat turpis in aliquet venenatis. Quisque ac lacinia mauris. Nam quis lobortis elit. Vestibulum sagittis nisi sit amet euismod hendrerit. Mauris non sodales odio. Donec efficitur molestie quam, sed lobortis massa vestibulum ut.
Nunc at arcu sodales nisi porta euismod non vel neque. Phasellus at lobortis ante, in suscipit justo. Proin non purus vitae nisi molestie consectetur. Vestibulum volutpat lobortis interdum. Vestibulum pretium ligula lorem, egestas ultricies lectus ultricies ac. Curabitur venenatis vulputate dolor.
Artist Statement
As a textile artist, I am fascinated with the combination of texture, color, and cloth. As a further study into three-dimensional cloth manipulation, I asked friends, family, and people from my community to donate “unseen” objects from their lives that I could use to create texture in cloth for this installation. People donated objects that share and clutter their space, but are invisible most of the time. Knick knacks, things that are broken but you intend to fix, a single flip flop, rusty keys... Each object was embedded and bound in the silk, subjected to Japanese Shibori fabric dyeing processes, and then taken out to reveal a permanent shape in the cloth. The objects were reduced to shadows and shapes some of which resemble the original subject. I never knew how they would turn out. The texture is an echo of the solid object that we see, but rarely interact with; the things we keep around, but don’t need.
When
2009
After attending Carlow University and trying out several creative careers, Amber spends time in her studio creating textural art-to-wear using Japanese shibori fabric dyeing and cloth manipulation methods. Her Amtextiles line of art-to-wear was showcased at the 2009 American Craft Council show in Baltimore, MD. Amber’s work can be found locally at the Pittsburgh Center for the Arts.