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Marvin Touré
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the blood is the water.
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Catalina Schliebener Muñoz
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Deep, Deep Woods
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Isla Hansen
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How to Get to Make Believe
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Andrea Peña
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States of Transmutation
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Asim Waqif
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Assume the Risk
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Shohei Katayama
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As Below, So Above
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Toi Derricotte

Landscape of the Body: Poems

This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.

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The poet and eight of her students invaded the gallery space at the opening of the exhibition with performance, testing the limits of ‘site-specific’ in both spatial and temporal ways. The texts themselves remain for the duration of the show.

Readings by: C. M. Burroughs, Natascha Cahill, Sten Carlson, Kate Donohue, Brad Fest, Emily Gropp, Sarah Marsh, Maria Matuscak, Joshua Zelesnick

When

2005

About The Artist

Toi Derricotte is the author of The Undertaker’s Daughter and four earlier collections of poetry, including Tender, winner of the 1998 Paterson Poetry Prize. Her literary memoir, The Black Notebooks, received the 1998 Anisfield-Wolf Book Award for Non-Fiction and was a New York Times Notable Book of the Year. Her honors include, among many others, the 2012 Paterson Poetry Prize for Sustained Literary Achievement, the 2012 PEN/Voelcker Award for Poetry, the Lucille Medwick Memorial Award from the Poetry Society of America, two Pushcart Prizes, the Distinguished Pioneering of the Arts Award from the United Black Artists, and fellowships from the National Endowment for the Arts, the Rockefeller Foundation, the Guggenheim Foundation, the New Jersey State Council on the Arts and the Maryland State Arts Council. Derricotte is the co-founder of Cave Canem Foundation (with Cornelius Eady), Professor Emerita at the University of Pittsburgh and a Chancellor of the Academy of American Poets.

The poet and eight of her students invaded the gallery space at the opening of the exhibition with performance, testing the limits of ‘site-specific’ in both spatial and temporal ways. The texts themselves remain for the duration of the show.

Readings by: C. M. Burroughs, Natascha Cahill, Sten Carlson, Kate Donohue, Brad Fest, Emily Gropp, Sarah Marsh, Maria Matuscak, Joshua Zelesnick

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