This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
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David Stanger is best known for a body of thickly painted portraiture, here, he explores the effects of light passing through a translucent painted medium, reflected through a mirror onto an adjacent wall. The image has both public and private significance.
When
Gestures 4: March 2, 2003 - April 6, 2003
Where
1414 Monterey, 2nd Floor
David Stanger received a BFA in painting from Syracuse University, studied painting and Renaissance art history in Florence, Italy, and earned his MFA from the Hoffberger School of Painting at Maryland Institute College of Art. He is currently an Assistant Professor of Painting and Drawing at Seton Hill University. His work has been exhibited regionally and nationally, including Manifest Gallery, Seraphin Gallery, the University of North Carolina at Asheville, the Carnegie Museum of Art, the Butler Institute of American Art, and the Westmoreland Museum of American Art. Stanger's work can be found in many private collections and is most notably in the collections of the Carnegie Museum of Art.