This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
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Rolf Julius created this work as a site-specific sound piece that enhances the visitor's experience of space in the Garden designed by Winifred Lutz. A mix of natural and electronic sounds is broadcasted from speakers, which are placed high on the Museum's wall facing the Garden. The speakers are angled in such a way that the visitor hears different sounds at different places. The sounds' pitches and volumes are modulated to sit at the edge of conscious awareness, subtly affecting one's experience of the site.
When
Long-term
1996
Where
500 Sampsonia, Garden
Rolf Julius was born in Germany in 1939 and studied fine art in Bremen. In the mid 1970s he began using sound alongside his visual practice. Later he moved to Berlin and became an important figure in that city’s budding sound art scene. In 1980 Julius’ pioneering work “Dike Line” was presented at the “Fϋr Augen Und Ohren” exhibition alongside work by John Cage. He has created some of the most meaningful and moving works in the grey area between music and art, between sound and silence, slowly emerging as one of the most important and influential sound artists of our time. Whether using photographs, ink drawings, audio compositions, or subtle and sometimes almost hidden outdoor installations, Rolf Julius’ works serve as catalyst, increasing our awareness of the great beauty of the world that surrounds us.