This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Fusce at elit quis felis ullamcorper vehicula non in est. Maecenas finibus pharetra justo et faucibus. Nulla eu tortor vel ex volutpat efficitur. Vivamus placerat turpis in aliquet venenatis. Quisque ac lacinia mauris. Nam quis lobortis elit. Vestibulum sagittis nisi sit amet euismod hendrerit. Mauris non sodales odio. Donec efficitur molestie quam, sed lobortis massa vestibulum ut.
Nunc at arcu sodales nisi porta euismod non vel neque. Phasellus at lobortis ante, in suscipit justo. Proin non purus vitae nisi molestie consectetur. Vestibulum volutpat lobortis interdum. Vestibulum pretium ligula lorem, egestas ultricies lectus ultricies ac. Curabitur venenatis vulputate dolor.
Shot on location in Braddock, No Return is set in a fictional future where the planet is slowly dying as a consequence of pollution and climate change. No Return continues Doherty's interest in the relationship between landscape and memory, and in working in locations that bear the traces of contested histories and narratives, some forgotten, some half-remembered. Many of his works [Ghost Story (2007), Buried (2009), Remains (2013)] have evolved from investigating specific places in his native Northern Ireland as a means of meditating upon the existence of traces of past events that will not disappear, those that resurface and cannot be forgotten. Doherty's approach and process is speculative. He often takes an existing image or other information as a starting point and then proceeds to see what can be discovered or found in the location. At the same time, Doherty's method is sensitive to the difficulties of working in a contemporary landscape that has been shaped by specific local circumstances and larger historical events. No Return is concerned with the present rather than the past or the future. The work attempts to engage with the landscape as it looks today, as a repository of the memories of past experiences and as a witness to the ravages of socio-economic change. In looking at the present, No Return imagines and visualizes our shared apprehension about the future. Duration: 15 minutes Curated by John Carson
When
2017
Willie Doherty's career in photography, audio-visual installation, and film has been primarily focused on how his native city of Derry and its environs have been distinctly defined, demarcated and controlled according to the political and sectarian divisions in Northern Ireland. With imagery that is haunting and elegiac, he conveys a sense of foreboding in the Northern Irish psyche, as formed by the history and experience of British colonialism and resultant sectarian strife.