This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
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Judith H. O’Toole is a museum director. Since a child she has collected postcards, which trace her travels and changing interests. What starts out as a timeline slips into a scholarly alphabetization, subverted by personal interests and diversions. It is a personal collection, a private collection, a permanent collection or simply postcards. We can only see one side of each card.
When
Gestures 4: March 2, 2003 - April 6, 2003
Where
1414 Monterey, 3rd Floor
Judith O'Toole is the former Director and CEO of the Westmoreland Museum of American Art.