This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Fusce at elit quis felis ullamcorper vehicula non in est. Maecenas finibus pharetra justo et faucibus. Nulla eu tortor vel ex volutpat efficitur. Vivamus placerat turpis in aliquet venenatis. Quisque ac lacinia mauris. Nam quis lobortis elit. Vestibulum sagittis nisi sit amet euismod hendrerit. Mauris non sodales odio. Donec efficitur molestie quam, sed lobortis massa vestibulum ut.
Nunc at arcu sodales nisi porta euismod non vel neque. Phasellus at lobortis ante, in suscipit justo. Proin non purus vitae nisi molestie consectetur. Vestibulum volutpat lobortis interdum. Vestibulum pretium ligula lorem, egestas ultricies lectus ultricies ac. Curabitur venenatis vulputate dolor.
Curated by Tavia La Follette
Artist Statement
Mixing the sounds that originated from within the heart of Egypt to express unity, this piece speaks its voice with AZAN and COPTIC CHRISTIAN hymns to say: We are one nation. Egypt remains “The Mother of the World.”
When
2011
Asmaa Ezzat received her BA in Anthropology from Alexandria University in 2010. She started photography in 2008 and her hobby developed into a profession. Since that time everything in life looks different for her, everything in life has a language and a soul, and through her lens, she tries to translate the language of soul. Asmaa believes that Art is...the source of faith, thinking, loving, and peace among human beings. And without it, she believes that we won’t be able to find our inner peace.
