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Christopher Janney & Joan Brigham

Steamshuffle Pittsburgh

This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.

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Eight glass panels, two feet wide and eight feet high, were installed on a public plaza for a week in the winter. The interactive performance sculpture was composed of three elements: steam, sound, and poetry. As pedestrians walked by the eight upright glass panels, they interrupted photo-cell beams which triggered a succession of electronically composed sounds and activated jets of steam aimed at each panel. When the steam hit the glass, it revealed a series of poems by Emmett William sand-blasted into glass in block letters several inches high.

Sounds of barnyard animals, jungle roars, hissing, and whistles combined with traffic noises. At intervals, on each sheet of glass, the words slowly vanished, making way for the next burst of steam and more poetry.

Artist Statement

The elements of Steamshuffle Pittsburgh are present in most large cities: glass of modern curtain-wall buildings, steam from public utilities, sound from radios and the city itself, and language from signs and advertising. These elements are reconfigured to make a work of public art entirely responsive to its public participation.

Steamshuffle Pittsburgh is a place for self-expression: people walking, and running, some with skateboards, rollerskates, or bicycles, trigger this "responsive architecture," creating a spontaneous dance of lively interaction.

When

1985

About The Artist

Christopher Janney attended Princeton University for a BA in Architecture and received an MS in Environmental Art from MIT. He also studied as a Jazz Musician. He is a visiting professor for the Cooper Union's Irwin Chanin School of Architecture and Pratt Institute. In 1980 he created PhenomenArts Inc.

Joan Brigham attended Pomona College for a BA in Art History. She obtained her MA in Art History from Harvard University. Joan Brigham's primary medium is the use of steam.

Eight glass panels, two feet wide and eight feet high, were installed on a public plaza for a week in the winter. The interactive performance sculpture was composed of three elements: steam, sound, and poetry. As pedestrians walked by the eight upright glass panels, they interrupted photo-cell beams which triggered a succession of electronically composed sounds and activated jets of steam aimed at each panel. When the steam hit the glass, it revealed a series of poems by Emmett William sand-blasted into glass in block letters several inches high.

Sounds of barnyard animals, jungle roars, hissing, and whistles combined with traffic noises. At intervals, on each sheet of glass, the words slowly vanished, making way for the next burst of steam and more poetry.

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