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Catalina Schliebener Muñoz
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Isla Hansen
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How to Get to Make Believe
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Andrea Peña
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States of Transmutation
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The Mattress Factory is an artist-centered museum, international residency program and renowned producer and presenter of installation art. We say “yes” to artists, offering time and space to dream and realize projects in our hometown, Pittsburgh, PA. We invite audiences from around the world and around the corner to step inside, immerse and connect with the artistic process.

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On View

Andréa Stanislav

Surmatants: Mars Rising

This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.

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Surmatants – Mars Rising is an elegiacally visceral response to the CV19 pandemic in three acts — informed by Pittsburgh’s Slavic immigrant labour history, and 13th century bubonic plague imagery — through a release of dance. Tenants of Russian Cosmisim and transcendence are evoked through Jesse Gelaznik’s musical compositions, paired with renowned choreographer – Željko Jergan and John Harbist’s dances performed by the Tamburitzans. The installation is structured through a physical ascent, connecting three spaces (the white room, red room, and black room) — crescendoing to three channel circular video projection transmitting a human resurrection on Mars from the future. 

I would like to thank and acknowledge with the greatest admiration everyone involved in the realization of the SMR installation, while navigating the CV19 pandemic. Thank you all. 

Surmatants – Mars Rising (Three Channel HD Video) 

Director
Andréa Stanislav 

Co-Director
Denise Mustafa 

Music Composer
Jesse Gelaznik 

Producers
Danny Bracken — for the Mattress Factory
Andréa Stanislav
Denise Mustafa 

Choreography
Željko Jergan
John Harbist 

Production Designer
Andréa Stanislav 

Cinematographer
Rafael Abreu-Canedo 

Tamburtizans Dance Performers
Milan Bajich
Stevan Bajich
Arianna Burns
Sam Caloiero
Sofia Caloiero
Charles Cubelic
Libby Cubelic
Victoria Cubelic
Anka Gataric
Alex Hersh
Alex Hrishenko
Isabella Husnick
Dusan Karas
Nick Keleschenyi
Alena Kucan
Karsyn Kuhn
Iryna Luchynyn
Sarah Melio
Austin Miller
Courtney Mireles
Madison Mustach
Anna Steen
Mira Steen
Natalia Stee
Emma Tome
Carmen Wilson 

4th Horseman
Victoria Cubelic 

Animal Trainer
Danielle Ashley 

White Horse
Hank 

Second Camera
Andréa Stanislav 

Drone Camera
Ryan McIntyre — Perspectrum LCC 

Still Photography
Josh Ice 

Production Supervisor
Alyssa Bushunow 

Costume Design and Wardrobe
Merle Pastrick Linn 

Hair/Makeup
Victoria Cubelic 

Set Operations
Josh Ice 

Video Editor
Denise Mustafa
Andréa Stanislav 

CGI Animation
Jacopo Mazzoni 

Musicians
Benjamin Louis Brody – French Horn
Mark Broschinsky – Trombone
Jesse Gelaznik – Guitar, Piano, Synthesizer
Heather Green – Soprano Vocals
Herb Harris – Autoharp
Christopher Johnson – Bass 

Sound Engineer
Jesse Gelaznik 

Sound Editing and Design
Jesse Gelaznik and Denise Mustafa 

Slavic Culture Consultant
Joe Bielecki 

Location
Carrie Furnaces – Rivers of Steel, Pittsburgh, PA 

Final Sound Mastering
Eric Elterman – Boomtown Studio, Brooklyn, NY 

When

Factory Installed: March 12, 2021 - November 14, 2021

Where

500 Sampsonia, 4th Floor

About The Artist

Andréa Stanislav is an American artist based in New York City and works in St. Petersburg, Russia, and Bloomington, Indiana. Her hybrid practice spans sculpture, video, immersive multimedia installation, and public art. Stanislav’s work is anchored in a collision of beauty and horror — dualities that intimate sublimity, through equations of site + scale. Andréa’s work often excavates constructs and devolution of civilizations and empires —merging the past and present, while proposing questions of the future. In the Duchampian sense, the viewer becomes a participant who completes the work. Stanislav’s installations erode the boundary between subject and object in a literal “physicality of ideas” — manifested experientially through an immersive experience. Stanislav’s work has been exhibited internationally at museums, contemporary art centers, galleries, biennials, site-specific public locations and art fairs.

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