This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Fusce at elit quis felis ullamcorper vehicula non in est. Maecenas finibus pharetra justo et faucibus. Nulla eu tortor vel ex volutpat efficitur. Vivamus placerat turpis in aliquet venenatis. Quisque ac lacinia mauris. Nam quis lobortis elit. Vestibulum sagittis nisi sit amet euismod hendrerit. Mauris non sodales odio. Donec efficitur molestie quam, sed lobortis massa vestibulum ut.
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Curated by Tavia La Follette
Artist Statement
I’m thinking here about touching your feeling. Like we touch each other or our skin, to feel the reality of existence. How we care about what we can’t see or how we feel it with our senses: to touch our souls, to understand our self-language, to have the ability to treat our self. It’s the first step in our relationship with others.
When
2011
Mostafa Sleem studied at the Faculty of Fine Arts, Minia University in Egypt, from 1998 until he graduated in May 2003, studying art. Mostafa participated in the Youth Salon and the National Gallery of Art at the Egyptian Opera House. He has published 30 booklets teaching children the art of drawing in the period between 2006 and 2008, to simplify the concepts of art and painting for children. He created illustrations for more than 100 children’s booklets, as well as designed the book covers of renowned Arabic writers such as Sonalla Abrahim and Ibrahim Abdel Qader El Mazni.
