This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
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Vanessa Sica and Chris Kasabach first saw Allan Wexler's Bed Sitting Rooms for an Artist in Residence when they were design students, more than twenty years ago. When asked to take inspiration from 1414 Monterey Street, they recalled this early experience - how Wexler's installation vibrates between absurdity and brilliance, efficiency and fun. Their work, Unbrella, comes from the same place, a utilitarian knee-slap for the artist in residence who may have arrived unprepared for Pittsburgh's weather. The Unbrella functions indoors as a bright, soft light, but outdoors as a fully lit umbrella. The resident simply twists the Unbrella into the socket and pulls the raindrop to light the room; the room also charges the Unbrella's battery. Then, on a dark, rainy day, the artist in residence untwists the Unbrella and takes it to the streets to light their way.
When
Long-term
2009
Where
1414 Monterey, 2nd Floor
ACCEssibility
Accessible only by stairs
Vanessa Sica and Chris Kasabach have a broad range of experience merging the fields of art, design and technology. Their work in healthcare, housewares, fashion and the arts has been recognized by the awards, museums and publications that set the standard in design and business including the IDSA-International Design Excellence Awards and Medical Design Excellence Awards. Their work has been featured at the Smithsonian/Cooper-Hewitt National Design Museum, Vitra Design Museum, and as part of artist Mariko Mori’s Venice Biennale exhibition.
