This play is a reflection on the (im)possibility of accepting diversity and the other. The fragmented body of the neoplasm—the fruit of unstable conditions—overcomes barriers, loves and denies itself and others, wanders around, forgetting its profession. It frequently and with pleasure divides, goes through dangerous palpation, questions the possibility of contact with the experience of the other. Poorly brought up but very successful, it invites us to a trans-species transition.
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Edward Eberle is a ceramist and painter. The black room is a found object, left over from an earlier installation. A simple drawing of the space, dashed off in his studio, indicates a subtle, near architectural program playing with dimension, value and volume, which are minimally realized here. An imperfect space becomes strangely idealized.
When
Gestures 4: March 2, 2003 - April 6, 2003
Where
1414 Monterey, 3rd Floor
Edward Eberle received his MFA from Alfred University and went on to teach at the Philadelphia College of Art and Carnegie Mellon University. After teaching at Carnegie Mellon, Eberle began working exclusively as a studio artist, working primarily in painting, drawing, sculpture, and ceramics. He also creates art installations and occasionally has portfolios in book-making, printmaking, and lithography.
His artwork is represented in museum collections internationally including The National Gallery of Australia, Los Angeles County Museum of Art, Nelson-Atkins Art Museum, Smithsonian American Art Museum, Carnegie Museum of Art, Gardiner Museum Ontario, Contemporary Art Museum Hawaii, Museum of Art Houston and Museum of Fine Arts in Boston.
